Professor Ian Cross

Ian Cross

University position

Professor

Professor Ian Cross is pleased to consider applications from prospective PhD students.

Departments

Faculty of Music

Home page

http://www.mus.cam.ac.uk/~cross (personal home page)

Research Theme

Cognitive and Behavioural Neuroscience

Interests

My research explores the biological and cultural bases for human musicality, in particular, the mechanisms underlying the capacity for achievement and maintenance of inter-individual synchrony of behaviour, those underlying the experience of meaning in engagement with music, and those involved in the cognition and perception of multi-levelled structure in both music and language, particularly in interaction. This involves theoretical and experimental research using conventional cognitive-scientific methods. I am also involved in research exploring the perceptual characterisation of violin acoustics and the impact of this on performance, as well as the reconstructive archaeology of sound-producing lithic objects.

Research Focus

Keywords

music

evolution

cognition

culture

interaction

Clinical conditions

No direct clinical relevance

Equipment

Behavioural analysis

Collaborators

Cambridge

Sarah Hawkins

Dina Kronhaus

Brian Moore

James Woodhouse

United Kingdom

Graham Welch Web: http://ioewebserver.ioe.ac.uk/ioe/cms...

International

Martin Rohrmeier Web: http://www.languages-of-emotion.de/en/peop...

Associated News Items


    Key publications

    Cross, I (2013), “"Does not compute"? Music as real-time communicative interaction” AI & Society 28(4), 415-430

    Rabinowitch, T-C, Cross, I, & Burnard, P (2013), “Long-term musical group interaction has a positive influence on empathy in children” Psychology of Music 41(4), 484-498

    Rohrmeier, M, Rebuschat, P & Cross, I (2011), “Incidental learning of melodic structure” Consciousness & Cognition 24 (2), 214-222

    Cross I (2009), “The evolutionary nature of musical meaning” Musicae Scientiae Special Issue: 179-200

    Hallam, S, Cross, I, & Thaut, M (Eds.) (2009), “ Oxford Handbook of Music Psychology” Oxford: OUP

    Cross I (2001), “Music, cognition, culture and evolution” Annals of the New York Academy of Sciences 930:28-42

    Publications

    2017

    Bravo, F., Cross, I., Hawkins, S., Gonzalez, N., Docampo, J., Bruno, C., & Stamatakis, E. (2017), “Neural Mechanisms underlying Valence Inferences to Sound: the Role of the right Angular Gyrus” Neuropsychologia 102, 144-162

    Bravo, F., Cross, I., Stamatakis, E. A., & Rohrmeier, M. (2017), “Sensory cortical response to uncertainty and low salience during recognition of affective cues in musical intervals.” PLOS ONE 12(4), e0175991

    Knight, S., Spiro, N., & Cross, I. (2017), “Look, listen and learn: Exploring effects of passive entrainment on social judgements of observed others” Psychology of Music 45(1), 99-115

    2016

    Woolhouse, M., Cross, I. & Horton, T. (2016), “Perception of non-adjacent tonic key relationships” PSychology of Music 44(4), 802-815

    Woolhouse, M., Tidhar, D., and Cross, I. (2016), “Effects on interpersonal memory of dancing in time with others” Frontiers in Psychology 7(167), 1-8

    2015

    Blake E, Cross I (2015), “The acoustic and auditory contexts of human behavior” Current Anthropology 56 (1), 81-103

    2014

    Cross I (2014), “Music and communication in music psychology” Psychology of Music 42(6), 809-819

    Rohrmeier MA, Cross I (2014), “Modelling unsupervised online-learning of artificial grammars: Linking implicit and statistical learning.” Conscious Cogn 27:155-67 Details

    2013

    Cross, I, Fitch, WT, Aboitiz, F, Iriki, A, Jarvis, ED, Lewis, J, Liebal, K, Merker, B, Stout, D & Trehub, SE (2013), “Culture and evolution ” In MA Arbib (Ed) Language, music and the brain 541-562

    Rohrmeier M, Cross I (2013), “Artificial grammar learning of melody is constrained by melodic inconsistency: Narmour's principles affect melodic learning.” PLoS One 8(7):e66174 Details

    2012

    Cross I (2012), “Cognitive science and the cultural nature of music.” Top Cogn Sci 4(4):668-77 Details

    Fritz C, Blackwell AF, Cross I, Woodhouse J, Moore BC (2012), “Exploring violin sound quality: investigating English timbre descriptors and correlating resynthesized acoustical modifications with perceptual properties.” J Acoust Soc Am 131(1):783-94 Details

    2011

    Cross I (2011), “The meanings of musical meanings: Comment on "Towards a neural basis of processing musical semantics" by Stefan Koelsch.” Phys Life Rev 8(2):116-9; discussion 125-8 Details

    2010

    Fritz C, Woodhouse J, Cheng FP, Cross I, Blackwell AF, Moore BC (2010), “Perceptual studies of violin body damping and vibrato.” J Acoust Soc Am 127(1):513-24 Details

    2009

    Cross I (2009), “Communicative development: neonate crying reflects patterns of native-language speech.” Curr Biol 19(23):R1078-9 Details

    2007

    Fritz C, Cross I, Moore BC, Woodhouse J (2007), “Perceptual thresholds for detecting modifications applied to the acoustical properties of a violin.” J Acoust Soc Am 122(6):3640-50 Details

    2005

    Cross I (2005), “Comments on music, ethology, and evolution.” Ann N Y Acad Sci 1060:3-5 Details

    2003

    Cross I (2003), “Music as a biocultural phenomenon.” Ann N Y Acad Sci 999:106-11 Details